Last September, i wrote an article on how i was ‘Having a bit of a Nordic Phase…’ which covered the current Scandinavian/Nordic (including Denmark, Sweden, Norway, Iceland, Finland) influences in Music, Fashion, literature, film and tv (you can read it here: http://www.missmarples.co.uk/article/articleid/159/having-a-bit-of-a-nordic-phase%E2%80%A6.aspx ) . Having since now seen the second series of The Killing and Series 1 of the excellent Borgen on National Treasure tv station BBC4 and thoroughly enjoying the more mainstream Those Who Kill (Thanks ITV 3!) and the contents of my bedside reading table being this:
not to mention the Nordic novels on my Kindle including Jar City (Reykjavik Murder Mysteries 1) by Arnaldur Indridason and Roseanna, book 1 of the Martin Beck series by Maj Sjöwall and Per Wahlöö; its clear i am still to drawn to the cultural output from the region. Given this interest, earlier works by the likes of Henning Mankell and Maj Sjöwall and Per Wahlöö are being translated and published often many years later. Norwegian Jo Nesbo is something of a publishing phenomenon right now, with millions of his pretty gruesome crime novels featuring world-weary cop Harry Hole having sold. A film of his novel Headhunters is due for release on 6 April 2012.
I’m not the only one. There can barely be anyone left who hasn’t read the Millennium Trilogy by Steig Larsson or seen the films. Every British newspaper, broadsheet or otherwise, aswell as magazines such as Heat and Grazia, was fawning over The Killing and Borgen, with The Radio Times even printing a knitting pattern for one of Sarah Lund’s famous jumpers (yes, really!). The slight digs at these tv series featuring the same Danish actors was i think the only thing the journalists could aim to find ‘fault’ with – i mean, seriously, how many working UK actors haven’t been in Casualty/The Bill or a soap?
I have no answers here but the tv series’ i think have really benefitted by largely being national tv-station produced by Denmark’s BBC equivalent, who demanded modern series’ relevant to life today be created for their Sunday evening timeslots. I do wish the beeb would look at this rather than the yawnsome remake of Upstairs Downstairs and whatever sleepy sub-CSI thriller they tend to show on a Sunday night. I think they also appeal because the characters are real and utterly believable and importantly female characters are essential, rather than just being some wife/girlfriend/plain-jane colleague role. With Borgen, yes, you can absolutely see why the female PM’s marriage would potentially crumble and that her relationship with her kids would suffer. With The Killing, there is no disguising the fact that Sarah Lund is a pretty damaged character and her unorthodox methods and singular personality have resulted in estrangement from her son and family aswell as having directly resulted in the death of close colleagues.
The literature too details the lengthy processes the police and prosecutors have to go through to catch and convict criminals. There are no quick-CSI/Law and Order type arrests here (and these are largely BIG hefty 500+ page novels). The characterisation again is compelling and the flaws of Wallander and Hole keep the reader rooting for them.
The old stereotypical image of Scandinavian countries offering little more than Abba, Sauna’s and Ulrika Jonnson has been completely replaced with the rest of the world waking up to it’s cool clothes, music, art, books, tv and cinema and on a completely frivolous note, Stockholm’s men were recently voted Sexiest in the World largely aided, i personally feel by Swedish actor Alexander Skarsgård (True Blood).